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| DOCUMENT Louise Noguchi Opening on Saturday, September 11 at 3pm. The exhibition runs from September 9 to October 9, 2004. |
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The work at Dazibao includes a series of large colour photographs portraying the aftermath of guns fired, poised shooters and plummeting cowboys. In contrast to the complexity of warfare today, these photographs reveal the seductive quality of violence, which evokes an entertaining thrill, and the raw simplicity of a face-to-face shoot-out. Accentuated by titles such as Boom, Bang, and Smoked, the cowboy's persona is glorified by the dramatic, theatrical stage of Wild West theme parks such as Six Gun City in Jefferson, New Jersey, and Donley's Wild West Town in Union, Illinois. In addition to the photographs, the show includes a video installation of earlier works such as Rope Tricks, 1998 and When You Fall Off Your Horse, 2002. These videos were created in conjunction with Noguchi's lessons with Tom Bishop Junior, a professional performer in the arts of trick roping, knife throwing, bullwhip cracking and trick riding. The artist, in Rope Tricks, uses her lassoing skills in an attempt to ensnare an unknown capture off the screen. The second piece, When You Fall Off Your Horse, is a documentation of a professional trick rider performing, ironically, a fall off of his horse. Although the rider never gets back on his horse, the viewer is reminded of the great American expression that lingers at the back of most people's mind. The most recent video, Gunslinger 2004, shows a tightly cropped image of a tattooed, black nail-polished cowboy executing his fluid gun twirling skills. In her title for the exhibition, Noguchi cleverly plays her own tricks to highlight ideas surrounding the authenticity and authority of documenting history. She raises questions concerning the roles of actors, writers and artists who inevitably manipulate the information they record. Moreover, this exhibition brings to the forefront the fusion between historical accounts and the overwhelming cinematic influences employed to establish what we now know in North America as the 'Western' genre. |