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The centre of the forest is a lake like mirrorChih-Chien Wang
The gallery is open Tuesday through Saturday from noon to 5 p.m. |
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Yushan : dinner? Chih-Chien : Is it time already for dinner? Yushan : We didn't have lunch? I'm afraid you might be hungry. Transcribed dialogue from Smile Yushan (video, 30 secs) We eat, we take images, a mouthful, an image, one after the other. We want to bite into every moment, capture everything, savour each morsel, be saturated, be versed, discover and also to be fed. Originally from Taiwan, Chih-Chien Wang has lived in Montreal since 2002. This displacement, this deliberate uprooting, is at the heart of his artistic practice. It has influenced his relationship to the world and to the objects that surround him; as much as it has impacted the way he perceives himself and his method of working. Compulsively, Wang accumulates, image upon image, video footage and photographic images. From this abundance emerges an unusual yet lyrical universe, with an unsettling aesthetic that speaks of a keen desire to create a place of belonging. For The centre of the forest is a lake like mirror, all is in migration, indeed even in mutation. The individual, as much as the everyday objects that surround him, are inclined to be in a state of transformation. By quietly changing their intended function, Wang's objects are rendered sublime in their juxtaposition with the individual, often to the artist himself, prompting an allegorical reading of the work that steps outside of the linear or cause and effect interpretation. Chih-Chien Wang is the first artist to benefit from the exceptional opportunity offered conjointly by PRIM and Dazibao to produce and diffuse work. Every year, a special call for proposals invites artists, for whom the photographic practice crosses over into video and audio media, to submit their project. |
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