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SINCÈRERomeo GongoraOpening
on Thursday Mars 8 at 5pm Project realized in the context of a special collaboration with PRIM. |
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Seeking unfaithful married person for social study. Remuneration, completely confidential. Classified ad appearing in a Mexico City newspaper In the exhibition Sincère, Romeo Gongora continues his analysis of language. In two new video installations, Rosa-Maria and Marie-Jeanne, he calls into question the ability of speech to be a neutral vector of deeds and emotions. At the entrance to the gallery, two videos, showing two silent men, greet the visitor. One is standing next to a woman, whom he clasps and embraces. The other is working in a modest workshop. Using digital images, Romeo Gongora has built each of them a pocket theatre. In these small, virtual and cramped rooms which, paradoxically, confer great dignity on them, the two men speak to an absent person. One, who has been unfaithful, confesses his betrayal. The other, a widower, reveals his love and suffering. In each case, the confessional text was written by the artist and the subject. In this way, the men became characters and the (sincere?) confession a narrative. Words which, at first, were meant only to express facts—I’m cheating on you; I love you —unfold in front of the camera in a multitude of ambiguous and ambivalent meanings. With a sometimes poignant intensity, these two works of Romeo Gongora explore the questions of representation, the authenticity of emotions, the fidelity of language and the perception of difference. These confessions, initially intended for the men’s wives, invite the viewer, for a moment, to take their place. Romeo Gongora is the second artist to benefit from the exceptional opportunity offered conjointly by PRIM and Dazibao to produce and diffuse work. Every year, a special call for proposals invites artists, for whom the photographic practice crosses over into video and audio media to submit their project. |